Sunday, February 15, 2015
War within the Walls in "Beneath the Lion's Gaze" by: Abby Booher
Mengiste’s “Beneath the Lion’s
Gaze” explores conflict through her particular choice of setting. On page 122,
the author notes, “There was the sound of leaves rustling in the wind, the blaring
horns of traffic, and the shouts of farmers and vendors. Life outside these
walls went on as always. Inside, it seemed the world had shifted off its axis
and was breaking in two.” Mengiste focuses a lot on the setting of the hospital
within the novel. Most of the first portion of the book takes place within the
walls of the hospital which tells a lot about the world beyond the walls. The
hospital stands as a metaphor for the reader.
Within its walls, it mirrors the world outside of it. At the beginning
of the novel, the hospital seems to be neutral, there is no war or concerns of
the revolution – only the common concerns within a hospital. Only at the end of
the first chapter does it hint to the problems that will come, “The soldier
glanced up as Hailu walked by, then turned his attention back to his nails” (p.
8). The revolution has little power within the hospital, though its presence
begins to seep through. As time passes, the hospital walls cannot contain the
war that is outside, “The curtains could not soak up all the noises coming from
citizens who would soon flee into the shelter of their homes” (p. 36). By the
beginning of book two, the hospital is renamed from “Prince Mekonnen Hospital”
to “Black Lion Hospital”. It is only a matter of time until even the hospital –
a place that is supposed to be an almost opposite of war where healing and help
dwells – cannot withstand the power of war. The end of Chapter 26 reveals that
a girls has been admitted to the hospital who has been tortured by the military.
She is to be healed in order to be tortured yet again. This shatters the safety
that once was found within the hospital walls. Shadows now shake on the lawn;
the darkness and consequences of war are now bleeding into the hospital rooms.
Though life outside continues in the struggle of depression from a higher
power, the hospital now begins to feel the weight as well and will “[break]
into two” just like the world outside did. Mengiste creatively paints the
hospital as a mini-world which reveals snippets of the consequences of the
world outside.
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